Jason Domling was born in a village near Sagada, Mountain Province, one of the last biodiversity hotspots in the nNorthern Philippines. He was raised in Baguio City. The artist is a cultural worker and a skilful rattan weaver, who expands this traditional practice in large- scale sculptures and installations. He transforms the indigenous backpack known as pasiking in contemporary ways. He was part of the AX(i)S Group (led by 13-artist awardees Kawayan De Guia) that exhibited at the Singapore Biennale 2013. He was a participant at the 2009 Triennial at the Nigata Prefecture, Japan; the 2009 International Gong Festival in Central Vietnam; and the 2006 Casa Asia in Barcelona, Spain. At the time of writing, he is set to have a rattan-weaving workshop at the Ayala Museum, sponsored by the Japan Foundation Manila.
Jason Domling, born in the verdant embrace of a village near Sagada, Mountain Province, embodies the spirit of the rich cultural heritage that the Philippines proudly boasts. Growing up amidst the breathtaking landscapes and vibrant traditions of the Northern Philippines, he was profoundly influenced by the biodiversity hotspot that surrounded his early years. However, it was in Baguio City, where he was raised, that he honed his artistic skills and developed a deep appreciation for the intricate art of rattan weaving.
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As a cultural worker, Domling’s artistry is deeply rooted in the preservation and evolution of traditional Filipino crafts. His mastery in rattan weaving, a skill passed down through generations, has transcended the confines of tradition. He ingeniously transforms the indigenous backpack, known as pasiking, into contemporary masterpieces, breathing new life into age-old practices. His innovative approach not only pays homage to his cultural heritage but also propels it into the global spotlight.
Domling’s artistic journey took a significant turn when he became part of the AX(i)S Group, a collective led by the esteemed 13-artist awardees Kawayan De Guia. Their collaborative efforts were showcased at the prestigious Singapore Biennale in 2013, where Domling’s unique creations garnered international acclaim. This exposure marked a pivotal moment in his career, establishing him as a prominent figure in the contemporary art scene.
His artistic prowess has not been confined to the borders of his homeland. Domling’s talent has graced international stages, leaving an indelible mark across the globe. He participated in the 2009 Triennial at the Nigata Prefecture, Japan, where his work resonated with audiences from diverse cultural backgrounds. Additionally, he showcased his artistry at the 2009 International Gong Festival in Central Vietnam, bridging cultures through his intricate weavings. His presence at the 2006 Casa Asia in Barcelona, Spain, further highlighted his ability to captivate audiences worldwide.
At the time of writing, Jason Domling continues to share his expertise and passion for rattan weaving. His upcoming workshop at the Ayala Museum, sponsored by the Japan Foundation Manila, promises to be a significant event in the realm of traditional crafts. Through his teachings and creations, Domling not only preserves the cultural legacy of his people but also inspires future generations to celebrate their heritage while embracing innovation. His artistic journey stands as a testament to the power of tradition, innovation, and cultural exchange, weaving a vibrant tapestry that connects the world through art.
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